como ja havia comentado, ontem foi meu aniversário... 26 anos...
ontem também foi uma data especial para o Fera, fez 23 anos do primeiro show dele com Os Paralamas.....
hoje, é uma outra data muito especial...
hoje faz 13 anos que fui no primeiro show d'Os Paralamas da minha vida, turnê do 9 Luas no Olympia.. eles tocaram o final de semana todo, mas no meu niver eu nao pude ir por causa da festa aqui em casa, fui no dia seguinte, ao 13 anos de idade recém completos...
então, parabéns para nós....
terça-feira, 27 de outubro de 2009
segunda-feira, 19 de outubro de 2009
Ufa, a agenda deu uma engordada
agenda de shows de outubro e novembro um pouquinho mais gordinha....
não conseguirei postar mais até meu aniversário... o bicho ta pegando aqui.... quem quiser me mandar bolo é só mandar um email q passo o endereço...
quem quiser me ligar no meu aniversário, pense 2 vezes, eu odeio telefone...
Outubro
24 Out ~ Goiânia, GO
31 Out ~ Araruama, RJ
Novembro
07 Nov ~ Rio de Janeiro, RJ
13 Nov ~ Crato, CE
14 Nov ~ Sousa, PB
28 Nov ~ São Paulo, SP
29 Nov - Queimados - RJ
não conseguirei postar mais até meu aniversário... o bicho ta pegando aqui.... quem quiser me mandar bolo é só mandar um email q passo o endereço...
quem quiser me ligar no meu aniversário, pense 2 vezes, eu odeio telefone...
Outubro
24 Out ~ Goiânia, GO
31 Out ~ Araruama, RJ
Novembro
07 Nov ~ Rio de Janeiro, RJ
13 Nov ~ Crato, CE
14 Nov ~ Sousa, PB
28 Nov ~ São Paulo, SP
29 Nov - Queimados - RJ
domingo, 18 de outubro de 2009
promoções
o twitter do filme do Herbert está oferecendo varios premios, como convites e posters do filmes... e lá também eles avisam sobre as promoções que sorteiam guitarras.
http://twitter.com/herbertdeperto
quem tiver twitter, acompanhe lá....
http://twitter.com/herbertdeperto
quem tiver twitter, acompanhe lá....
terça-feira, 13 de outubro de 2009
nova agenda de shows
Murcha, vazia, mas aí vai ela....
agora quando terá um show com pista em Sampa para os verdadeiros fãs??? pq de show pra almofadinha cheio da grana já deu né??? não há limite de cartão de crédito q aguente...
Outubro 2009
17 - Rio de Janeiro, RJ
Vivo Rio
24 - Goiânia, GO
Sol Music Hall
Com Titãs
Novembro 2009
14 - Sousa, PB
São Gonçalo
28 - São Paulo, SP
HSBC Brasil
agora quando terá um show com pista em Sampa para os verdadeiros fãs??? pq de show pra almofadinha cheio da grana já deu né??? não há limite de cartão de crédito q aguente...
Outubro 2009
17 - Rio de Janeiro, RJ
Vivo Rio
24 - Goiânia, GO
Sol Music Hall
Com Titãs
Novembro 2009
14 - Sousa, PB
São Gonçalo
28 - São Paulo, SP
HSBC Brasil
domingo, 11 de outubro de 2009
uma biografia
Hj meu priminho me mandou um link de um biografia d'os Paralamas em Ingles, pensei q ia ser aquele lixo de sempre... mas meu espanto não poderia ser maior quando vi que a bio era muito boa.... apesar de pequenos deslizes, nada q comprometa o geral (tipo erraram o curso do Barone na facul, ou a descricao do segundo show deles q tem alguns equivocos, mais algumas coisinhas)..
ele lembra alguns detalhes q a maioria das bios esquecem, como o fato de o rock in rio na realidade ter sido 2 shows, cada banda tocava em 2 dias diferentes....
enfim, vejam, mas como qualquer coisa q lemos, leiam com olhar crítico...
alias, leiam, ou melhor, não leiam a descrição do mesmo cara para "Vamo Batê Lata" me deu vontade de invadir o site e deletar tudo.. uhaaahua
http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:gzfqxqe5ld0e~T1
Biography by Alvaro Neder
The most successful band in Brazilian rock, Os Paralamas (or Os Paralamas do Sucesso profited from the early experiences of previous bands, consolidating the prosperity of the genre and also opening the way for other groups. With 12 albums released in Brazil and two in Argentina, some of these reaching the one-million mark, the band also has a noted international career.
Paralamas do Sucesso were formed in 1982 by bassist Bi Ribeiro (Felipe Ribeiro, born in 1961, Rio de Janeiro, Brazil), guitarist/vocalist Herbert Vianna (born in 1961, João Pessoa, PB), and drummer Vital Dias, who was replaced the next year by João Barone (born in 1962, Rio de Janeiro, Brazil). The focus of the band was reggae and ska with a rock background.
Ribeiro and Vianna, who lived in Brasília, DF, were acquainted with each other from a young age. Vianna liked to play the electric guitar, but Ribeiro wasn't a musician at the time. In 1978, at 16, Vianna's family came to Rio with him, and Ribeiro arrived the next year. Vianna insisted that Ribeiro buy an electric bass, inviting a high school mate (at the Bahiense), Vital Dias, for the drums. With the three of them enrolling in college in 1980, their rehearsals became sparse. The end of that year found them disenchanted with their undergraduate courses, and they turned to music, inscribing their trio under the name Os Paralamas do Sucesso at the festival of the Universidade Federal Rural do Rio de Janeiro (were Ribeiro was studying) in mid-1981. "Vital e Sua Moto" was one of the registered songs, but all three weren't classified. Even then, they were allowed to play in the breaks, but drummer Dias had abandoned the scene, leaving room for João Barone, who studied zootechnics there. On September 17, 1982, the trio played the same University again, where Dias and Barone were to take turns at the drums. But Dias, probably believing he was not up for the competition, abandoned the setting and the band after two songs.
In late November, the band opened at the Western bar in Rio. At that time they already had some originals, and included Renato Russo's (a friend from Brasília times) songs, like "Química." The response was good, and they recorded their first demo. After trying some vocalists, Vianna decided to take control of the vocal parts. The demo spun quite a bit on the Fluminense FM program Maldita (a radio program that specialized in rock), and the band yielded a packed house in their second season at the Western and an invitation to open a Lulu Santos show at the Circo Voador the following month.
At that point they received invitations from three recording companies — Warner, Polygram, and EMI-Odeon — signing with the latter in April and releasing their first single, "Vital e Sua Moto," in June. The song sold 11,000 copies and before the end of the year, their first LP, Cinema Mudo, was released. The trio later regretted doing the album; at the time, they couldn't fight the producer, who decided to top it with keyboards and guitars. But they went on, opening at the New York nightclub Danceteria in that year. O Passo do Lui, released in August 1984, solidified their connections with the new wave reggae proposed by the Police and the English bands Madness and the Beat, among others. The album had the hits "Óculos," "Assaltaram a Gramática," and "Romance Ideal." The band immediately began to play to larger audiences, like the presentation at Barrashopping's Sextas Musicais when they played for 5,000 people, soon followed by the Rock in Rio Festival (January 1985), an event attended by around 250,000 people on each of its five nights. Here, they performed two shows: on January 13 and 15. On June 15 of that year, they did two performances for 17,000 people each at the Gigantinho, in Porto Alegre, RS, receiving in that night the gold record for selling 100,000 copies of O Passo do Lui. In March 1986, they did the first of many Argentinean tours, playing at the Chateau Rock Festival (Cordoba) and at the Paradis nightclub in Buenos Aires. Selvagem, their next album, was released on July 30, 1986. The album, which had been distributed to stores 45 days before, had already sold 300,000 copies.
The international career of the band, the most expressive until then in the Brazilian rock scene, exploded with another tour to Buenos Aires, Argentina, in the same year, followed by Spain, Paraguay, Uruguay, Portugal, Chile, France, and Switzerland, where, at the Montreux festival on July 4, 1987, they recorded their first live album, D. The album had, along with the keyboard of João "Fera" Gonçalves, George Israel's (Kid Abelha) sax, foretelling a phase where brass sections and keyboard would be incorporated in the Paralamas' sound. The year finished with a prime-time special about the band released by the second largest TV network in Brazil, SBT.
1988 brought an invitation for the band to open a Tina Turner show in Buenos Aires on January 3. Four days later, they opened for UB40 and Simple Minds at Rio's Hollywood Rock festival. In February the band, together with Fera and a brass section (and participation by Charly Garcia) recorded Bora Bora, released on May 27. The band continued to regularly release albums in the late '80s and '90s: Big Bang, 1989; Arquivo, 1990; Os Grãos, 1991; Severino, 1993; Vamo Batê Lata, 1995; Nove Luas, 1996; and Hey Na Na, 1998. In Argentina, the band, highly regarded, released two albums in the '90s which sold very well — Paralamas and Dos margaritas — continuing to perform for large audiences there. Vamo Batê Lata, a live CD, sold 800,000 copies in Brazil. In 1997 a box set was released entitled A Pólvora featuring the band's first eight CDs, and a remastering of Abbey Road. Hey Na Na sold one million copies before its release.
ele lembra alguns detalhes q a maioria das bios esquecem, como o fato de o rock in rio na realidade ter sido 2 shows, cada banda tocava em 2 dias diferentes....
enfim, vejam, mas como qualquer coisa q lemos, leiam com olhar crítico...
alias, leiam, ou melhor, não leiam a descrição do mesmo cara para "Vamo Batê Lata" me deu vontade de invadir o site e deletar tudo.. uhaaahua
http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:gzfqxqe5ld0e~T1
Biography by Alvaro Neder
The most successful band in Brazilian rock, Os Paralamas (or Os Paralamas do Sucesso profited from the early experiences of previous bands, consolidating the prosperity of the genre and also opening the way for other groups. With 12 albums released in Brazil and two in Argentina, some of these reaching the one-million mark, the band also has a noted international career.
Paralamas do Sucesso were formed in 1982 by bassist Bi Ribeiro (Felipe Ribeiro, born in 1961, Rio de Janeiro, Brazil), guitarist/vocalist Herbert Vianna (born in 1961, João Pessoa, PB), and drummer Vital Dias, who was replaced the next year by João Barone (born in 1962, Rio de Janeiro, Brazil). The focus of the band was reggae and ska with a rock background.
Ribeiro and Vianna, who lived in Brasília, DF, were acquainted with each other from a young age. Vianna liked to play the electric guitar, but Ribeiro wasn't a musician at the time. In 1978, at 16, Vianna's family came to Rio with him, and Ribeiro arrived the next year. Vianna insisted that Ribeiro buy an electric bass, inviting a high school mate (at the Bahiense), Vital Dias, for the drums. With the three of them enrolling in college in 1980, their rehearsals became sparse. The end of that year found them disenchanted with their undergraduate courses, and they turned to music, inscribing their trio under the name Os Paralamas do Sucesso at the festival of the Universidade Federal Rural do Rio de Janeiro (were Ribeiro was studying) in mid-1981. "Vital e Sua Moto" was one of the registered songs, but all three weren't classified. Even then, they were allowed to play in the breaks, but drummer Dias had abandoned the scene, leaving room for João Barone, who studied zootechnics there. On September 17, 1982, the trio played the same University again, where Dias and Barone were to take turns at the drums. But Dias, probably believing he was not up for the competition, abandoned the setting and the band after two songs.
In late November, the band opened at the Western bar in Rio. At that time they already had some originals, and included Renato Russo's (a friend from Brasília times) songs, like "Química." The response was good, and they recorded their first demo. After trying some vocalists, Vianna decided to take control of the vocal parts. The demo spun quite a bit on the Fluminense FM program Maldita (a radio program that specialized in rock), and the band yielded a packed house in their second season at the Western and an invitation to open a Lulu Santos show at the Circo Voador the following month.
At that point they received invitations from three recording companies — Warner, Polygram, and EMI-Odeon — signing with the latter in April and releasing their first single, "Vital e Sua Moto," in June. The song sold 11,000 copies and before the end of the year, their first LP, Cinema Mudo, was released. The trio later regretted doing the album; at the time, they couldn't fight the producer, who decided to top it with keyboards and guitars. But they went on, opening at the New York nightclub Danceteria in that year. O Passo do Lui, released in August 1984, solidified their connections with the new wave reggae proposed by the Police and the English bands Madness and the Beat, among others. The album had the hits "Óculos," "Assaltaram a Gramática," and "Romance Ideal." The band immediately began to play to larger audiences, like the presentation at Barrashopping's Sextas Musicais when they played for 5,000 people, soon followed by the Rock in Rio Festival (January 1985), an event attended by around 250,000 people on each of its five nights. Here, they performed two shows: on January 13 and 15. On June 15 of that year, they did two performances for 17,000 people each at the Gigantinho, in Porto Alegre, RS, receiving in that night the gold record for selling 100,000 copies of O Passo do Lui. In March 1986, they did the first of many Argentinean tours, playing at the Chateau Rock Festival (Cordoba) and at the Paradis nightclub in Buenos Aires. Selvagem, their next album, was released on July 30, 1986. The album, which had been distributed to stores 45 days before, had already sold 300,000 copies.
The international career of the band, the most expressive until then in the Brazilian rock scene, exploded with another tour to Buenos Aires, Argentina, in the same year, followed by Spain, Paraguay, Uruguay, Portugal, Chile, France, and Switzerland, where, at the Montreux festival on July 4, 1987, they recorded their first live album, D. The album had, along with the keyboard of João "Fera" Gonçalves, George Israel's (Kid Abelha) sax, foretelling a phase where brass sections and keyboard would be incorporated in the Paralamas' sound. The year finished with a prime-time special about the band released by the second largest TV network in Brazil, SBT.
1988 brought an invitation for the band to open a Tina Turner show in Buenos Aires on January 3. Four days later, they opened for UB40 and Simple Minds at Rio's Hollywood Rock festival. In February the band, together with Fera and a brass section (and participation by Charly Garcia) recorded Bora Bora, released on May 27. The band continued to regularly release albums in the late '80s and '90s: Big Bang, 1989; Arquivo, 1990; Os Grãos, 1991; Severino, 1993; Vamo Batê Lata, 1995; Nove Luas, 1996; and Hey Na Na, 1998. In Argentina, the band, highly regarded, released two albums in the '90s which sold very well — Paralamas and Dos margaritas — continuing to perform for large audiences there. Vamo Batê Lata, a live CD, sold 800,000 copies in Brazil. In 1997 a box set was released entitled A Pólvora featuring the band's first eight CDs, and a remastering of Abbey Road. Hey Na Na sold one million copies before its release.
sábado, 10 de outubro de 2009
Herbert de Perto em SP
Hoje saiu reportagens sobre o filme em todos os jornais q comprei/peguei (Destak, Folha e JT) segunda pego o estado no trabalho do meu irmao...
fui num frio do cão caçar uma banca q tivesse os jornais, o estado nao tinha mais, agora to sofrendo com a gripe instantânea e pensando como acordarei cedo pra trabalhar amanha....
pelo que vi no guia da folha, são poucos os cinemas q vão passar o filme, mas sao bem localizados e espalhados na cidade e, principalmente, são bons cinemas...
aí vai a lista, desculpem os erros e falta de acentos e maiusculas, mas digitar com sono no micro netbook é dificil...
- cidade jardim cinemark
- Cine Bombril
- Espaco unibanco pompeia
- Frei caneca unibanco artplex
- Iguatemi Cinemark
- Jardim Sul UCI
- Kinoplex itaim
- Patio higienópolis cinemark
- Villa-Lobos Cinemark
ainda preciso preparar meu video para a promoção do filme.... vejam mais em
www.herbertdeperto.com.br
fui num frio do cão caçar uma banca q tivesse os jornais, o estado nao tinha mais, agora to sofrendo com a gripe instantânea e pensando como acordarei cedo pra trabalhar amanha....
pelo que vi no guia da folha, são poucos os cinemas q vão passar o filme, mas sao bem localizados e espalhados na cidade e, principalmente, são bons cinemas...
aí vai a lista, desculpem os erros e falta de acentos e maiusculas, mas digitar com sono no micro netbook é dificil...
- cidade jardim cinemark
- Cine Bombril
- Espaco unibanco pompeia
- Frei caneca unibanco artplex
- Iguatemi Cinemark
- Jardim Sul UCI
- Kinoplex itaim
- Patio higienópolis cinemark
- Villa-Lobos Cinemark
ainda preciso preparar meu video para a promoção do filme.... vejam mais em
www.herbertdeperto.com.br
quinta-feira, 8 de outubro de 2009
Fera na expomusic
ta desanimado o blog, até meu amigo Digão parou de comentar... mas continuo minha saga de escrever... qdo dá....
aí vai um vídeo do Fera fazendo workshop na expomusic.....
eu não apareço pois estava atrás da câmera, sentada, semi morta, em cima de uma caixa de som.....
aí vai um vídeo do Fera fazendo workshop na expomusic.....
eu não apareço pois estava atrás da câmera, sentada, semi morta, em cima de uma caixa de som.....
domingo, 4 de outubro de 2009
VMB de melhor Show
Com um certo delay....
não é de hj q os Paralamas tem o melhor show do país, a premiação só foi justa, nada de surpresas.... ainda esperava o de melhor banda.... como a premiação é por voto da galera, acho q é uma grande conquista, mostrando q eles estão conseguindo novos públicos....
veja a premiação
não é de hj q os Paralamas tem o melhor show do país, a premiação só foi justa, nada de surpresas.... ainda esperava o de melhor banda.... como a premiação é por voto da galera, acho q é uma grande conquista, mostrando q eles estão conseguindo novos públicos....
veja a premiação
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